COURSES
I teach embroidery courses both online and in person, designed for one-to-one tuition as well as groups. To view the current list of courses available, please visit the ‘Embroidery Courses’ page. If you would like to stay updated on when my kits become available and receive news about my historical embroidery courses, please leave your details in the form at the bottom of the page.
A jewellery case inspired by the Coronation gown of Queen Elizabeth II, which was made by the royal couturier N. Hartnell. Designed for Askham Hall retreat
A close copy of an 18th-century Letter Case from The Royal School of Needlework Archive that will be exclusively taught in Lexington, US, in 2024
Recreation of a late 19th-century book cover for a year-long online course in 2025
A close copy of the exquisite early-18th-century valentine, exhibited in 2023 by Witney Antiques, and recreated for The Crewel Work Company course run in 2024
Initially designed to complement the exhibition “Holbein at the Tudor Court” at The Queen’s Gallery, Buckingham Palace for The Royal School of Needlework
Replica of a 17th-century purse. The class was designed for The Crewel Work Company and taught at St Andrews Retreat in Scotland
DESIGN PROCESS
I enjoy engaging in extensive research on various embroidery techniques. Examining historical pieces serves as my initial step when I start designing a new class. On occasion, I might craft an exact replica of the original, while at other times, I reinterpret past designs to create new works inspired by historical embroidery techniques. My particular interest lies in British fashion. With training in both traditional and fashion embroidery techniques, I apply my knowledge when studying historical techniques used on garments and accessories.
CRAFTING ACCESSORIES
In the past, embroidery was employed to signify noble status and showcase one’s wealth. Embroidered garments were accessible solely to the wealthy serving as a means of personal expression for the wearers. The pieces that have survived through history narrate tales to us, and to safeguard these stories, I inspire my students to transform their embroidery into items they will enjoy using.
CONNECTING PAST AND PRESENT
Frequently, I repurpose historical designs to craft new garments or to embellish and personalize existing ones.I believe this practice is an excellent means of conserving the craftsmanship of the past establishing a genuine link with history. It serves as a celebration of artisans from bygone eras and a tribute to iconic historical embroideries. It is a way of creating meaningful clothes that one would cherish and enjoy wearing.
CLASSES AT BEAUTIFUL LOCATIONS
I always welcome students of all skill levels ensuring that most of my classes are designed to be both enjoyable and comfortable learning experiences. I frequently teach for The Royal School of Needlework and The Crewel Company, and if you would like to find out more about my experience, please visit ‘About’ page.
